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"Nicole Coson: Undercurrents", (London: Ben Hunter, 24 November 2023–12 January 2024).
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"Waxing Lyrical: Abundance, Bees, and Collaboration in Issay Rodriguez's Song of Increase," in Adaptation (Manila: Museum of Contemporary Art and Design, 28 March-27 August 2023)
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"Wawi Navarroza: As Wild as We Come," (Silverlens Gallery, Manila, 2 March - 5 April 2023), exh. cat.
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Exhibition review of 'Sigrid Holmwood: A Terrible and True History', at Annely Juda Fine Art, ArtReview (March 2023): 92 (print).
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Press release, 'MJ Torrecampo: Tall Enough to See Over Myself,' Eve Leibe Gallery, 9 December 2022 - 5 January 2023.
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Book review of Philip Bowring, The Making of the Modern Philippines: Pieces of a Jigsaw State, ArtReview Asia (Autumn 2022): 95-6 (print).
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“Woman at the Threshold: Decolonising the Wild in Wawi Navarroza’s As Wild As We Come (2022)”
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'"Going Back to my Roots": Tradition and invention in Diasporic Filipino Art,' ArtReview Asia (Summer 2022): 62-69 (print).
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'Unlikely Heroes: Martika Ramirez Escobar’s Postmodern Masterpiece,' ArtReview Asia (Summer 2022): 90-1 (print).
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'Peng Zuqiang’s Sense of Touch,' ArtReview Asia (Summer 2022): 87 (print).
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'Imelda Marcos’s Picasso Is the Least of Our Problems.' ArtReview.com (27 May 2022).
I was never troubled by whether the painting was ‘real’ or ‘fake.
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"Kerima Tariman." ArtReview (April 2022): 56-59 (print).
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"Kerima Tariman." ArtReview Asia (Spring 2022): 56 - 59 (print).
Amid the ongoing orgy of extrajudicial killing in Rodrigo Duterte’s Philippines, one resistance fighter nevertheless understood the revolutionary potential of art
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Book Review of Gina Apostol. Bibliolepsy. ArtReview Asia (Spring 2022): 102 (print).
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Exhibition review of 'Gala Porras-Kim: Out of an instance of expiration comes a perennial showing', Burlington Contemporary (9 March 2022). Online.
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"'Memory Box’ Unlocks the Ghosts of the Lebanese Civil War." ArtReview Asia (Spring 2022): 82 (print)
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"Exiled Artist Yadanar Win on Myanmar's Bloody Coup." ArtReview, Power 100 Issue (December 2021): 128 - 129 (print).
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"Know Thine Enemy: Cian Dayrit", ArtReview Asia (Winter 2021): 46 - 51 (print).
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Book review of John Clark. The Asian Modern. Burlington Magazine (October 2021): 973 - 974 (print).
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"Pacita Abad: Endless Blues," exh. cat., (Basel: Silverlens Galleries for Art Basel, September 2021).
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"Can I Unlove ‘Love Island’?," ArtReview Online (1 September 2021).
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Exhibition Review: 'On Hannah Arendt: What is Freedom? - BRACHA,' Richard Saltoun, London 15 - 31 July 2021. ArtReview (September 2021): 91 (print).
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'Introduction,' in "Intersections of Art, Activism, and Social Justice" Transnational Coalition for the Arts x Philippine Contemporary Art Network (16 August 2021).
Project Management and Design by GREEN PAPAYA ART PROJECTS
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“Leslie de Chavez: A Lonely Picket in the Balcony,” exh. cat., (Manila: Silverlens Galleries, May 2021).
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“Art and Democratic Struggle in Myanmar: 100 Days After the Coup.” Transnational Coalition for the Arts in Arts of the Working Class (3 May 2021).
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Transnational Coalition for the Arts, Manifesto (4 March 2021).
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Pio Abad: It Seems We Have Developed A Taste for Each Other’s Weaknesses (Manila: Silverlens Galleries, February 2021).
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“Norberto ‘Peewee’ Roldan: How Artists Can Change Society.” ArtReview, Power 100 Issue (December 2020): 102 – 103 (print).
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“Artist Pio Abad Awakens the Spectres of Philippine History.” ArtReview Asia (Winter 2020): 66 – 75 (print).
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“Artist Martha Atienza and the Fight for Environmental Justice in the Philippines.” ArtReview Asia (Autumn 2020): Cover, 44 – 51 (print).
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“‘The House Is Still Burning’: Censorship, Pandemic and Art in the Philippines.” ArtReview Asia (Summer 2020): Cover, 78 – 83 (print).
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Book Review of Marian Pastor Roces. Gathering: Political Writing on Art and Culture. ArtReview Asia (Autumn 2019): 110 (print).
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“Returning to the Philippines: Medalla and I.” The Courtauldian (March 2018): 20 – 24 (print).
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Contributed research and support for the publication of 50+ catalogues with Christie’s Post-War & Contemporary Art Department, New York
